Album Review: K.Flay – Everywhere is Somewhere

I do not say this lightly – this woman is a modern heroine. 

 

She is at once combative and playful, fiesty and vulnerable – her lyrics contain such boundless multitudes. She clearly loves the music she makes, her joy of expression exudes from her work, and she pours a wealth of talent into every last bassline and verse. If this is your first encounter with her name, for the love of all that is art, go back through her catalogue of mixtapes, EPs and collaborations and consume everything!

Her new album Everywhere is Somewhere landed April 7th – read the full review on The Spill Magazine or below:

Continue reading “Album Review: K.Flay – Everywhere is Somewhere”

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Album Review: Dismantled – The Hero EP

Dismantled holds a very special place in my music library. His early work contains three of my favourite tracks of all time by virtue of being my gateway into noise music.

I’ve loved many more artists since those early years, but Dismantled is the one who opened my mind towards this obscure niche of electronica and it changed my life forever.

No two Dismantled albums have been the same.

His self-titled album in 2002 had a grimy, white-label rhythmic noise vibe that was unforgettable. The distorted and compressed vocals, abrasive mechanical grinding samples, and erratic beats in “On Your Knees” made this track the epitome of dystopian music, a ballad commemorating the globally historical moment of agony and fear. The subsequent Post-Nuclear and Standard Issue albums were a clear evolutionary path for Dismantled – Zon’s vocals got cleaner, the song structure more defined, clear patterns so familiar to EBM listeners emerging from the chaos. By 2007, When I Am Dead took a danceable approach, focusing on lyrics and choral effects, while the last full album released in 2011, The War Inside Me, took a detour into fist-pumping rage-spewing Aggrotech territory akin to FGFC820 and prodigious mentors Suicide Commando.

And here we are, after a four year break, with a fresh new sound that is more polished than ever and shows how much Gary has learned in his career.

Read my full review on Spill Magazine.

And stay tuned for The Hero full release!

 

 

 

Album review: Rational Youth – Future Past Tense 

If you’re part of the Alternative Electronic music community in Canada today, know well that you owe your scene’s existence to pioneers like Tracy Howe and Bill Vorn.
Rational Youth were proudly baffling stage managers with their 808 and MS-20 setup in the early ‘80s, and telling the world to dance atop the infamous wall three years before Bowie started inciting riots in East Berlin. Howe’s relentless ambition to reclaim the synthesizer out of the hands of boring scholars and put it at the forefront of the concert stage produced a novel and visionary experience for listeners around the globe.
Read my full review on The Spill Magazine