MX1: Men of the Machine

Toronto is lucky to have seen a resurgence in live performances and concerts this past year, all through the diligent work of people like Dentata Music & Batty von Bats. This artist collective strives to bring new and exciting acts to our stages, connecting performers, promoters and local venues.

I had the pleasure of attended their most recent event, MX1: Men of The Machine at the legendary Cherry Cola’s Concert Venue. Coupled with the prior MX1: Women of The Synth, it featured solo performances by international dark electronic artists.

MOTM brought our city the fledgling futurepop project Distorted Retrospect and industry icon Steven Archer aka Stoneburner, performing along side three homegrown talents in the guise of Eye Steal, the ever-entertaining Peter Turns Pirate and a unique solo from Undulation.

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Stoneburner live at MX1: Men of the Machine

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Album Review: K.Flay – Everywhere is Somewhere

I do not say this lightly – this woman is a modern heroine. 

 

She is at once combative and playful, fiesty and vulnerable – her lyrics contain such boundless multitudes. She clearly loves the music she makes, her joy of expression exudes from her work, and she pours a wealth of talent into every last bassline and verse. If this is your first encounter with her name, for the love of all that is art, go back through her catalogue of mixtapes, EPs and collaborations and consume everything!

Her new album Everywhere is Somewhere landed April 7th – read the full review on The Spill Magazine or below:

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Album review: Rational Youth – Future Past Tense 

If you’re part of the Alternative Electronic music community in Canada today, know well that you owe your scene’s existence to pioneers like Tracy Howe and Bill Vorn.
Rational Youth were proudly baffling stage managers with their 808 and MS-20 setup in the early ‘80s, and telling the world to dance atop the infamous wall three years before Bowie started inciting riots in East Berlin. Howe’s relentless ambition to reclaim the synthesizer out of the hands of boring scholars and put it at the forefront of the concert stage produced a novel and visionary experience for listeners around the globe.
Read my full review on The Spill Magazine